Avid VENUE SC48 Remote System vs TASCAM DM-4800

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Avid VENUE SC48 Remote System	VS	TASCAM DM-4800

Overview:

There are 71 differences and 5 similarities between Avid VENUE SC48 Remote System, TASCAM DM-4800

General
Brand
Avid Venue	Tascam
Manufacturer Part Number
9935-65028-00	Dm-4800
Mixers Type
Digital Mixers	Digital Mixers

Specifications
Effects
No	Yes
Rackmountable
No	No
Faders
26 Touch-sensitive, Motorized Faders	25 X 100mm Lotorized
Channels
48	48
Computer Connectivity
5 X Usb, 2 X Firewire (for Pro Tools Only)	1 X Usb
EQ Bands
Dsp Graphic Eq	Channels: 4-band Parametric (ch 1-48)
Aux Sends
Configurable In Software	12 Aux Send
Busses/Groups
Configurable In Software	24 Buses
Phantom Power
+48v (individually Switchable Per Channel Via Software), 10ma Max, +15v @ 6ma (switchable), 48 X 48v	24 channels
Inputs - Mic Preamps
48	24 X Xlr
Inputs - Line
16 X Trs	24 X 1/4", 2 X Rca (2tr)
Channel Inserts
No Channel Inserts	Yes (24 Channels)
Outputs - Main
16 X Xlr	2 X Xlr
Inputs - Other
2 X 1/4" Trs	No Other Inputs
Outputs - Direct
16 X Xlr	No Direct Outputs
Outputs - Other
2 X 1/4" Trs	6 X 1/4" (monitor)
Send/Return I/O
Configurable In Software	8 X 1/4" (send), 8 X 1/4" (return)
Headphones
1 X 1/4" Trs	2 X 1/4"
Talkback
Yes	No
Outputs - Digital
1 X Aes/ebu (xlr)	2 X Aes/ebu (xlr), 2 X S/pdif (coax), 1 X Adat (optical), 3 X Tdif
Data I/O
Ethernet	1 X Rs-422, 1 X Gpi (9-pin), Time Code In (coax), Word Sync In, Out/thru (bnc), Midi In, Out, Thru (mtc)
Transport Controls
No Transport Controls	Yes
DAW Control
Yes (pro Tools)	Yes
Inputs - Digital
1 X Aes/ebu (xlr)	2 X Aes/ebu (xlr), 2 X S/pdif (coax), 1 X Adat (optical), 3 X Tdif
I/O Expansion Slots
1 X Slots Available	4 X Slots Available
Input impedance
Pad Off: 5.5k Ohm, Leg To Ground, Pad On: 3.8k Ohm, Leg To Ground, 4k Ohms, 10k Ohms
Power Requirements
100-240 V, 50-60hz, 200 W
Frequency Response
+/-0.2db (22hz - 20khz Bw, Relative To 1khz)
Output Impedance
50 Ohm, Leg To Ground, 50 Ohms
ECx Ethernet Control
Rj-45 (for Ecx Remote Control)
Connector (1)
1/4-inch Trs, Unbalanced
Console Light Connectors (2)
Xlr3-f
Maximum RMS Power Output (at +21 dBu)
106mw (with 32-ohm Headphones) 130mw (with 600-ohm Headphones)
Internal Sample Frequency
48 kHz
External Sample Frequency
48khz +/-10 Ppm (word Clock Input)
26 touch-sensitive, motorized faders
16 Input, 8 Output Master, 1 Flex Channel, And 1 Mains
Processing Delay
Less Than 2.3 Ms (48 Channels, Stage Input Through L-r Bus To Stage Output)
Internal Processing
Up To 48-bit, Fixed Point (288db Internal Dynamic Range)
Sensitivity
-2dbu To -32dbu (variable In 6 Gain Steps)
Crosstalk
-100db Typ (adjacent Stage Inputs To L-r Bus, @ 1khz)
Pad
20 dB
Residual Output Noise
-90dbu Typ (20hz - 20khz Bw)
Connector
Xlr3-f, 1/4-inch Trs, Xlr3-m
USB Ports (5)
Usb 2.0
Connector (x16)
Xlr3-f, Balanced, Xlr3-m, Balanced
EIN
-126dbu Typ (maximum Gain, 150 Ohm Source, 20hz - 20khz Bw, Unweighted)
IEEE-1394 Port
Firewire (for Pro Tools Le Only)
Maximum input level
+32dbu With Pad, +24 Dbu
A/D Converter
24-bit, Delta Sigma
GPI Port
Db9 Female
Maximum Output Level
+24dbu, +24 Dbu
Sample Rate
48 kHz
Footswitch Connectors (2)
1/4-inch Trs
D/A Converter
24-bit, Delta Sigma, 128x Oversampling
Gain
+10db To +60db
MIDI In/Out
5-pin Din Female
Word Length
24 bit
Dynamic range
108db Typ
Word Clock I/O
Bnc Female
Sample Rate Conversion
3:1 Ratio
Format
Aes/ebu
VGA Port
Db-15 Mini-female (1024 X 768 Resolution, Mirrored Display Mode)
Dithering
None
DVI Port
Dvi Female (1024 X 768 Resolution, Mirrored Display Mode)
Channel Status Info
Pro, Audio 48k, No Emphasis
Dimensions
Width
38.95 "	36.75 "
Depth
28.15 "	32.4 "
Height
7.3 "	9.1 "
Weight
125 Lbs. (56.7 Kg), 125 Lbs.	71 Lbs.
Maximum Depth
28.15 Inches (715 Mm)
Maximum Height (front)
3.9 Inches (100 Mm)
Maximum Height (rear)
7.3 Inches (186 Mm)
Maximum Width
38.95 Inches (989 Mm) With Endcaps