Avid VENUE SC48 Remote System vs PreSonus StudioLive 32.4.2AI

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Avid VENUE SC48 Remote System	VS	PreSonus StudioLive 32.4.2AI

Overview:

There are 73 differences and 3 similarities between Avid VENUE SC48 Remote System, PreSonus StudioLive 32.4.2AI

General
Brand
Avid Venue	Presonus
Manufacturer Part Number
9935-65028-00	Slm32.4.2ai
Mixers Type
Digital Mixers	Digital Mixers

Specifications
Effects
No	Yes
Rackmountable
No	No
Faders
26 Touch-sensitive, Motorized Faders	37 X 100mm
Channels
48	32
Computer Connectivity
5 X Usb, 2 X Firewire (for Pro Tools Only)	2 X Firewire S800
EQ Bands
Dsp Graphic Eq	Channel: 4-band Semi-parametric; Main: 31-band Graphic
Aux Sends
Configurable In Software	10 X Pre/post
Busses/Groups
Configurable In Software	4 Group
Phantom Power
+48v (individually Switchable Per Channel Via Software), 10ma Max, +15v @ 6ma (switchable), 48 X 48v	24
Inputs - Mic Preamps
48	32 X Xlr
Inputs - Line
16 X Trs	32 X 1/4", 2 X Rca (tape)
Channel Inserts
No Channel Inserts	Yes (ch 1-32)
Outputs - Main
16 X Xlr	2 X Xlr, 1 X Xlr (mono)
Inputs - Other
2 X 1/4" Trs	No Other Inputs
Outputs - Direct
16 X Xlr	4 X Db25
Outputs - Other
2 X 1/4" Trs	2 X 1/4" (cr), 4 X 1/4" (subgroup)
Send/Return I/O
Configurable In Software	4 X 1/4" (aux In), 10 X 1/4" (aux Out)
Headphones
1 X 1/4" Trs	1 X 1/4"
Talkback
Yes	Yes
Outputs - Digital
1 X Aes/ebu (xlr)	1 X S/pdif
Data I/O
Ethernet	No Data I/o
Transport Controls
No Transport Controls	No
DAW Control
Yes (pro Tools)	No
Inputs - Digital
1 X Aes/ebu (xlr)	No Digital Inputs
I/O Expansion Slots
1 X Slots Available	No Expansion Slots
Input impedance
Pad Off: 5.5k Ohm, Leg To Ground, Pad On: 3.8k Ohm, Leg To Ground, 4k Ohms, 10k Ohms
Power Requirements
100-240 V, 50-60hz, 200 W
Frequency Response
+/-0.2db (22hz - 20khz Bw, Relative To 1khz)
Output Impedance
50 Ohm, Leg To Ground, 50 Ohms
ECx Ethernet Control
Rj-45 (for Ecx Remote Control)
Connector (1)
1/4-inch Trs, Unbalanced
Console Light Connectors (2)
Xlr3-f
Maximum RMS Power Output (at +21 dBu)
106mw (with 32-ohm Headphones) 130mw (with 600-ohm Headphones)
Internal Sample Frequency
48 kHz
External Sample Frequency
48khz +/-10 Ppm (word Clock Input)
26 touch-sensitive, motorized faders
16 Input, 8 Output Master, 1 Flex Channel, And 1 Mains
Processing Delay
Less Than 2.3 Ms (48 Channels, Stage Input Through L-r Bus To Stage Output)
Internal Processing
Up To 48-bit, Fixed Point (288db Internal Dynamic Range)
Sensitivity
-2dbu To -32dbu (variable In 6 Gain Steps)
Crosstalk
-100db Typ (adjacent Stage Inputs To L-r Bus, @ 1khz)
Pad
20 dB
Residual Output Noise
-90dbu Typ (20hz - 20khz Bw)
Connector
Xlr3-f, 1/4-inch Trs, Xlr3-m
USB Ports (5)
Usb 2.0
Connector (x16)
Xlr3-f, Balanced, Xlr3-m, Balanced
EIN
-126dbu Typ (maximum Gain, 150 Ohm Source, 20hz - 20khz Bw, Unweighted)
IEEE-1394 Port
Firewire (for Pro Tools Le Only)
Maximum input level
+32dbu With Pad, +24 Dbu
A/D Converter
24-bit, Delta Sigma
GPI Port
Db9 Female
Maximum Output Level
+24dbu, +24 Dbu
Sample Rate
48 kHz
Footswitch Connectors (2)
1/4-inch Trs
D/A Converter
24-bit, Delta Sigma, 128x Oversampling
Gain
+10db To +60db
MIDI In/Out
5-pin Din Female
Word Length
24 bit
Dynamic range
108db Typ
Word Clock I/O
Bnc Female
Sample Rate Conversion
3:1 Ratio
Format
Aes/ebu
VGA Port
Db-15 Mini-female (1024 X 768 Resolution, Mirrored Display Mode)
Dithering
None
DVI Port
Dvi Female (1024 X 768 Resolution, Mirrored Display Mode)
Channel Status Info
Pro, Audio 48k, No Emphasis
Dimensions
Width
38.95 "
Depth
28.15 "
Height
7.3 "
Weight
125 Lbs. (56.7 Kg), 125 Lbs.
Maximum Depth
28.15 Inches (715 Mm)
Maximum Height (front)
3.9 Inches (100 Mm)
Maximum Height (rear)
7.3 Inches (186 Mm)
Maximum Width
38.95 Inches (989 Mm) With Endcaps