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Avid VENUE SC48 Remote System

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Avid VENUE SC48 Remote System
Compare with other Mixers
Avid VENUE SC48 Remote System VS
All other Mixers
Brand Avid Venue   vs 9.8% Mixers have Avid VENUE
Manufacturer Part Number 9935-65028-00  
Mixers Type Digital Mixers  vs 20.4% Mixers have Digital Mixers
Effects No  vs 47.1% Mixers don't have Effects
Rackmountable No  vs 56.1% Mixers don't have Rackmountable
Faders 26 Touch-sensitive, Motorized Faders  vs 0.5% Mixers have 26 touch-sensitive motorized faders
48  (30.63 higher than average)

Computer Connectivity 5 X Usb, 2 X Firewire (for Pro Tools Only)  vs 0.5% Mixers have 5 x USB 2 x FireWire (for Pro Tools only)
EQ Bands Dsp Graphic Eq 
Aux Sends Configurable In Software 
Busses/Groups Configurable In Software  vs 0.5% Mixers have Configurable in software
Phantom Power +48v (individually Switchable Per Channel Via Software), 10ma Max, +15v @ 6ma (switchable), 48 X 48v 
Inputs - Mic Preamps
48  (22 higher than average)

Inputs - Line 16 X Trs 
Channel Inserts No Channel Inserts  vs 32.4% Mixers have No Channel Inserts
Outputs - Main 16 X Xlr 
Inputs - Other 2 X 1/4" Trs 
Outputs - Direct 16 X Xlr 
Outputs - Other 2 X 1/4" Trs 
Send/Return I/O Configurable In Software 
Headphones 1 X 1/4" Trs  vs 0.6% Mixers have 1 x 1/4" TRS
Talkback Yes  vs 31.7% Mixers have Talkback
Outputs - Digital 1 X Aes/ebu (xlr) 
Data I/O Ethernet 
Transport Controls No Transport Controls 
DAW Control Yes (pro Tools) 
Inputs - Digital 1 X Aes/ebu (xlr) 
I/O Expansion Slots 1 X Slots Available 
Input impedance Pad Off: 5.5k Ohm, Leg To Ground, Pad On: 3.8k Ohm, Leg To Ground, 4k Ohms, 10k Ohms 
Power Requirements 100-240 V, 50-60hz, 200 W 
Frequency Response +/-0.2db (22hz - 20khz Bw, Relative To 1khz) 
Output Impedance 50 Ohm, Leg To Ground, 50 Ohms 
ECx Ethernet Control Rj-45 (for Ecx Remote Control) 
Connector (1) 1/4-inch Trs, Unbalanced 
Console Light Connectors (2) XLR3-F  
Maximum RMS Power Output (at +21 dBu) 106mw (with 32-ohm Headphones) 130mw (with 600-ohm Headphones) 
Internal Sample Frequency 48 kHz 
External Sample Frequency 48khz +/-10 Ppm (word Clock Input) 
26 touch-sensitive, motorized faders 16 Input, 8 Output Master, 1 Flex Channel, And 1 Mains 
Processing Delay Less Than 2.3 Ms (48 Channels, Stage Input Through L-r Bus To Stage Output) 
Internal Processing Up To 48-bit, Fixed Point (288db Internal Dynamic Range) 
Sensitivity -2dbu To -32dbu (variable In 6 Gain Steps) 
Crosstalk -100db Typ (adjacent Stage Inputs To L-r Bus, @ 1khz) 
Pad 20 dB 
Residual Output Noise -90dbu Typ (20hz - 20khz Bw) 
Connector Xlr3-f, 1/4-inch Trs, Xlr3-m 
USB Ports (5) USB 2.0  
Connector (x16) Xlr3-f, Balanced, Xlr3-m, Balanced 
EIN -126dbu Typ (maximum Gain, 150 Ohm Source, 20hz - 20khz Bw, Unweighted) 
IEEE-1394 Port Firewire (for Pro Tools Le Only) 
Maximum input level +32dbu With Pad, +24 Dbu 
A/D Converter 24-bit, Delta Sigma 
GPI Port Db9 Female 
Maximum Output Level +24dbu, +24 Dbu 
Sample Rate 48 kHz 
Footswitch Connectors (2) 1/4-inch Trs 
D/A Converter 24-bit, Delta Sigma, 128x Oversampling 
Gain +10db To +60db 
MIDI In/Out 5-pin Din Female 
Word Length 24 bit 
Dynamic range 108db Typ 
Word Clock I/O Bnc Female 
Sample Rate Conversion 3:1 Ratio 
Format AES/EBU  
VGA Port Db-15 Mini-female (1024 X 768 Resolution, Mirrored Display Mode) 
Dithering None 
DVI Port Dvi Female (1024 X 768 Resolution, Mirrored Display Mode) 
Channel Status Info Pro, Audio 48k, No Emphasis 
38.95 " (34.05 " higher than average)
4.90 "

28.15 " (12.1 " higher than average)
16.05 "

7.3 " (2.37 " higher than average)
4.93 "

Weight 125 Lbs. (56.7 Kg), 125 Lbs.  
Maximum Depth 28.15 Inches (715 Mm) 
Maximum Height (front) 3.9 Inches (100 Mm) 
Maximum Height (rear) 7.3 Inches (186 Mm) 
Maximum Width 38.95 Inches (989 Mm) With Endcaps 

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