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Compare	Avid VENUE SC48 Remote System	VS	Midas PRO2 (Tour Pack)

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Overview:

There are 73 differences and 5 similarities between Avid VENUE SC48 Remote System, Midas PRO2 (Tour Pack)

General
Brand		Avid Venue	vs	Midas
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Manufacturer Part Number		9935-65028-00	vs	Pro2/tp
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Mixers Type		Digital Mixers	vs	Digital Mixers
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Specifications
Effects		No	vs	Yes
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Rackmountable		No	vs	No
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Faders		26 Touch-sensitive, Motorized Faders	vs	28 X 100mm Throw
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Channels		48	vs	56
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Computer Connectivity		5 X Usb, 2 X Firewire (for Pro Tools Only)	vs	2 X Usb
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EQ Bands		Dsp Graphic Eq	vs	4-band Parametric
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Aux Sends		Configurable In Software	vs
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Busses/Groups		Configurable In Software	vs	27 Bus
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Phantom Power		+48v (individually Switchable Per Channel Via Software), 10ma Max, +15v @ 6ma (switchable), 48 X 48v	vs	56
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Inputs - Mic Preamps		48	vs	8 X Xlr (mic/line)
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Inputs - Line		16 X Trs	vs	8 X Xlr (mic/line)
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Channel Inserts		No Channel Inserts	vs	Yes
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Outputs - Main		16 X Xlr	vs	32 X Xlr, Etc.
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Inputs - Other		2 X 1/4" Trs	vs	8 X Aux Returns
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Outputs - Direct		16 X Xlr	vs
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Outputs - Other		2 X 1/4" Trs	vs
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Send/Return I/O		Configurable In Software	vs
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Headphones		1 X 1/4" Trs	vs
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Talkback		Yes	vs	Yes
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Outputs - Digital		1 X Aes/ebu (xlr)	vs	3 X Aes3
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Data I/O		Ethernet	vs	Ethernet
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Transport Controls		No Transport Controls	vs	No
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DAW Control		Yes (pro Tools)	vs	No
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Inputs - Digital		1 X Aes/ebu (xlr)	vs	2 Aes3
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I/O Expansion Slots		1 X Slots Available	vs
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Expandable with optional external hardware I/O units (max capacity			vs	156 Inputs X 166 Outputs)
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Input impedance		Pad Off: 5.5k Ohm, Leg To Ground, Pad On: 3.8k Ohm, Leg To Ground, 4k Ohms, 10k Ohms	vs
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Power Requirements		100-240 V, 50-60hz, 200 W	vs
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Frequency Response		+/-0.2db (22hz - 20khz Bw, Relative To 1khz)	vs
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Output Impedance		50 Ohm, Leg To Ground, 50 Ohms	vs
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Stage I/O			vs	Dl251 48 In / 16 Out Fixed Configuration
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ECx Ethernet Control		Rj-45 (for Ecx Remote Control)	vs
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Connector (1)		1/4-inch Trs, Unbalanced	vs
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Console Light Connectors (2)		Xlr3-f	vs
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Maximum RMS Power Output (at +21 dBu)		106mw (with 32-ohm Headphones) 130mw (with 600-ohm Headphones)	vs
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Internal Sample Frequency		48 kHz	vs
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External Sample Frequency		48khz +/-10 Ppm (word Clock Input)	vs
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26 touch-sensitive, motorized faders		16 Input, 8 Output Master, 1 Flex Channel, And 1 Mains	vs
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Processing Delay		Less Than 2.3 Ms (48 Channels, Stage Input Through L-r Bus To Stage Output)	vs
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Internal Processing		Up To 48-bit, Fixed Point (288db Internal Dynamic Range)	vs
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Sensitivity		-2dbu To -32dbu (variable In 6 Gain Steps)	vs
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Crosstalk		-100db Typ (adjacent Stage Inputs To L-r Bus, @ 1khz)	vs
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Pad		20 dB	vs
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Residual Output Noise		-90dbu Typ (20hz - 20khz Bw)	vs
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Connector		Xlr3-f, 1/4-inch Trs, Xlr3-m	vs
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USB Ports (5)		Usb 2.0	vs
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Connector (x16)		Xlr3-f, Balanced, Xlr3-m, Balanced	vs
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EIN		-126dbu Typ (maximum Gain, 150 Ohm Source, 20hz - 20khz Bw, Unweighted)	vs
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IEEE-1394 Port		Firewire (for Pro Tools Le Only)	vs
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Maximum input level		+32dbu With Pad, +24 Dbu	vs
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A/D Converter		24-bit, Delta Sigma	vs
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GPI Port		Db9 Female	vs
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Maximum Output Level		+24dbu, +24 Dbu	vs
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Sample Rate		48 kHz	vs
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Footswitch Connectors (2)		1/4-inch Trs	vs
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D/A Converter		24-bit, Delta Sigma, 128x Oversampling	vs
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Gain		+10db To +60db	vs
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MIDI In/Out		5-pin Din Female	vs
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Word Length		24 bit	vs
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Dynamic range		108db Typ	vs
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Word Clock I/O		Bnc Female	vs
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Sample Rate Conversion		3:1 Ratio	vs
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Format		Aes/ebu	vs
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VGA Port		Db-15 Mini-female (1024 X 768 Resolution, Mirrored Display Mode)	vs
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Dithering		None	vs
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DVI Port		Dvi Female (1024 X 768 Resolution, Mirrored Display Mode)	vs
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Channel Status Info		Pro, Audio 48k, No Emphasis	vs
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Dimensions
Width		38.95 "	vs	46.44 "
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Depth		28.15 "	vs	27.75 "
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Height		7.3 "	vs
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Weight		125 Lbs. (56.7 Kg), 125 Lbs.	vs	101.4 Lbs.
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Maximum Depth		28.15 Inches (715 Mm)	vs
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Maximum Height (front)		3.9 Inches (100 Mm)	vs
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Maximum Height (rear)		7.3 Inches (186 Mm)	vs
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Maximum Width		38.95 Inches (989 Mm) With Endcaps	vs
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