Effects |
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No |
vs |
Yes |
|
Rackmountable |
|
No |
vs |
No |
|
Faders |
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26 Touch-sensitive, Motorized Faders |
vs |
25 X 100m Motorized |
|
Channels |
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48 |
vs |
56 |
|
Computer Connectivity |
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5 X Usb, 2 X Firewire (for Pro Tools Only) |
vs |
1 X Usb, 1 X Serial |
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EQ Bands |
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Dsp Graphic Eq |
vs |
4-band Parametric |
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Aux Sends |
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Configurable In Software |
vs |
8 X Aux Buses |
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Busses/Groups |
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Configurable In Software |
vs |
8 X Gropu Buses |
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Phantom Power |
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+48v (individually Switchable Per Channel Via Software), 10ma Max, +15v @ 6ma (switchable), 48 X 48v |
vs |
Yes (16 Channels) |
|
Inputs - Mic Preamps |
|
48 |
vs |
16 X Xlr (ch 1-16) |
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Inputs - Line |
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16 X Trs |
vs |
24 X 1/4" (ch 1-24), 2 X Rca (2tr) |
|
Channel Inserts |
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No Channel Inserts |
vs |
Yes (ch 1-16) |
|
Outputs - Main |
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16 X Xlr |
vs |
2 X Xlr, 2 X 1/4" |
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Inputs - Other |
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2 X 1/4" Trs |
vs |
No Other Inputs |
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Outputs - Direct |
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16 X Xlr |
vs |
No Direct Outputs |
|
Outputs - Other |
|
2 X 1/4" Trs |
vs |
2 X Rca, 2 X 1/4" (studio Monitor), 2 X 1/4" (control Room), 8 X 1/4" (omni) |
|
Send/Return I/O |
|
Configurable In Software |
vs |
No Send/return I/o |
|
Headphones |
|
1 X 1/4" Trs |
vs |
1 X 1/4" |
|
Talkback |
|
Yes |
vs |
No |
|
Outputs - Digital |
|
1 X Aes/ebu (xlr) |
vs |
1 X Aes/ebu (xlr), 2 X S/pdif (coax) |
|
Data I/O |
|
Ethernet |
vs |
1 X Smpte In (xlr), 1 X Mtc In (midi), Midi In, Out, Thru |
|
Transport Controls |
|
No Transport Controls |
vs |
Yes |
|
DAW Control |
|
Yes (pro Tools) |
vs |
Yes |
|
Inputs - Digital |
|
1 X Aes/ebu (xlr) |
vs |
1 X Aes/ebu (xlr), 2 X S/pdif (coax) |
|
I/O Expansion Slots |
|
1 X Slots Available |
vs |
4 X Expansion Slots |
|
Input impedance |
|
Pad Off: 5.5k Ohm, Leg To Ground, Pad On: 3.8k Ohm, Leg To Ground, 4k Ohms, 10k Ohms |
vs |
|
|
Power Requirements |
|
100-240 V, 50-60hz, 200 W |
vs |
|
|
Frequency Response |
|
+/-0.2db (22hz - 20khz Bw, Relative To 1khz) |
vs |
|
|
Output Impedance |
|
50 Ohm, Leg To Ground, 50 Ohms |
vs |
|
|
ECx Ethernet Control |
|
Rj-45 (for Ecx Remote Control) |
vs |
|
|
Connector (1) |
|
1/4-inch Trs, Unbalanced |
vs |
|
|
Console Light Connectors (2) |
|
Xlr3-f |
vs |
|
|
Maximum RMS Power Output (at +21 dBu) |
|
106mw (with 32-ohm Headphones) 130mw (with 600-ohm Headphones) |
vs |
|
|
Internal Sample Frequency |
|
48 kHz |
vs |
|
|
External Sample Frequency |
|
48khz +/-10 Ppm (word Clock Input) |
vs |
|
|
26 touch-sensitive, motorized faders |
|
16 Input, 8 Output Master, 1 Flex Channel, And 1 Mains |
vs |
|
|
Processing Delay |
|
Less Than 2.3 Ms (48 Channels, Stage Input Through L-r Bus To Stage Output) |
vs |
|
|
Internal Processing |
|
Up To 48-bit, Fixed Point (288db Internal Dynamic Range) |
vs |
|
|
Sensitivity |
|
-2dbu To -32dbu (variable In 6 Gain Steps) |
vs |
|
|
Crosstalk |
|
-100db Typ (adjacent Stage Inputs To L-r Bus, @ 1khz) |
vs |
|
|
Pad |
|
20 dB |
vs |
|
|
Residual Output Noise |
|
-90dbu Typ (20hz - 20khz Bw) |
vs |
|
|
Connector |
|
Xlr3-f, 1/4-inch Trs, Xlr3-m |
vs |
|
|
USB Ports (5) |
|
Usb 2.0 |
vs |
|
|
Connector (x16) |
|
Xlr3-f, Balanced, Xlr3-m, Balanced |
vs |
|
|
EIN |
|
-126dbu Typ (maximum Gain, 150 Ohm Source, 20hz - 20khz Bw, Unweighted) |
vs |
|
|
IEEE-1394 Port |
|
Firewire (for Pro Tools Le Only) |
vs |
|
|
Maximum input level |
|
+32dbu With Pad, +24 Dbu |
vs |
|
|
A/D Converter |
|
24-bit, Delta Sigma |
vs |
|
|
GPI Port |
|
Db9 Female |
vs |
|
|
Maximum Output Level |
|
+24dbu, +24 Dbu |
vs |
|
|
Sample Rate |
|
48 kHz |
vs |
|
|
Footswitch Connectors (2) |
|
1/4-inch Trs |
vs |
|
|
D/A Converter |
|
24-bit, Delta Sigma, 128x Oversampling |
vs |
|
|
Gain |
|
+10db To +60db |
vs |
|
|
MIDI In/Out |
|
5-pin Din Female |
vs |
|
|
Word Length |
|
24 bit |
vs |
|
|
Dynamic range |
|
108db Typ |
vs |
|
|
Word Clock I/O |
|
Bnc Female |
vs |
|
|
Sample Rate Conversion |
|
3:1 Ratio |
vs |
|
|
Format |
|
Aes/ebu |
vs |
|
|
VGA Port |
|
Db-15 Mini-female (1024 X 768 Resolution, Mirrored Display Mode) |
vs |
|
|
Dithering |
|
None |
vs |
|
|
DVI Port |
|
Dvi Female (1024 X 768 Resolution, Mirrored Display Mode) |
vs |
|
|
Channel Status Info |
|
Pro, Audio 48k, No Emphasis |
vs |
|
|
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