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Roland M-300 V-Mixer VS Avid VENUE SC48 (Dual Power Supply)
 

Overview:

There are 75 differences and 1 similarities between Roland M-300 V-Mixer, Avid VENUE SC48 (Dual Power Supply)

General
Brand
Roland
Avid Venue
Manufacturer Part Number
M-300 9900-58341-01
Mixers Type
Digital Mixers Digital Mixers
Specifications
Effects
Yes
Rackmountable
Yes
Faders
17 X 100mm Motorized
Channels
32
Computer Connectivity
1 X Usb, Ethernet
EQ Bands
Channel: 8-band Parametric; Main: 31-band Graphic
Aux Sends
8 Aux Buses
Busses/Groups
8 Aux Buses, 4 Matrices
Phantom Power
4 Channels (ch 1-4) +48v (individually Switchable Per Channel Via Software), 10ma Max, +15v @ 6ma (switchable)
Inputs - Mic Preamps
4 X Xlr (ch 1-4)
Inputs - Line
4 X 1/4" (ch 5-8), 4 X Rca (ch 9-12)
Channel Inserts
No Channel Inserts
Outputs - Main
4 X Xlr (ch 1-4) , 4 X 1/4" (ch 5-8) Configurable
Inputs - Other
No Other Inputs
Outputs - Direct
No Direct Outputs
Outputs - Other
4 X Xlr (ch 1-4) , 4 X 1/4" (ch 5-8) Configurable
Send/Return I/O
4 X Xlr (ch 1-4) , 4 X 1/4" (ch 5-8) Configurable
Headphones
1 X 1/4"
Talkback
Yes
Outputs - Digital
1 X S/pdif (optical)
Data I/O
2 X Reac (cat5e), Midi In, Out, Thru, 1 X Rs-232c
Transport Controls
No
DAW Control
No
Inputs - Digital
No Digital Inputs
I/O Expansion Slots
No Expansion Slots
Input impedance
Pad Off: 5.5k Ohm, Leg To Ground, Pad On: 3.8k Ohm, Leg To Ground, 4k Ohms, 10k Ohms
Power Requirements
100-240 V, 50-60hz, 200 W
Frequency Response
+/-0.2db (22hz - 20khz Bw, Relative To 1khz)
Output Impedance
50 Ohm, Leg To Ground, 50 Ohms
ECx Ethernet Control
Rj-45 (for Ecx Remote Control)
Connector (1)
1/4-inch Trs, Unbalanced
Console Light Connectors (2)
Xlr3-f
Maximum RMS Power Output (at +21 dBu)
106mw (with 32-ohm Headphones) 130mw (with 600-ohm Headphones)
Internal Sample Frequency
48 kHz
External Sample Frequency
48khz +/-10 Ppm (word Clock Input)
26 touch-sensitive, motorized faders
16 Input, 8 Output Master, 1 Flex Channel, And 1 Mains
Processing Delay
Less Than 2.3 Ms (48 Channels, Stage Input Through L-r Bus To Stage Output)
Internal Processing
Up To 48-bit, Fixed Point (288db Internal Dynamic Range)
Sensitivity
-2dbu To -32dbu (variable In 6 Gain Steps)
Crosstalk
-100db Typ (adjacent Stage Inputs To L-r Bus, @ 1khz)
Pad
20 dB
Residual Output Noise
-90dbu Typ (20hz - 20khz Bw)
Connector
Xlr3-f, 1/4-inch Trs, Xlr3-m
USB Ports (5)
Usb 2.0
Connector (x16)
Xlr3-f, Balanced, Xlr3-m, Balanced
EIN
-126dbu Typ (maximum Gain, 150 Ohm Source, 20hz - 20khz Bw, Unweighted)
IEEE-1394 Port
Firewire (for Pro Tools Le Only)
Maximum input level
+32dbu With Pad, +24 Dbu
A/D Converter
24-bit, Delta Sigma
GPI Port
Db9 Female
Maximum Output Level
+24dbu, +24 Dbu
Sample Rate
48 kHz
Footswitch Connectors (2)
1/4-inch Trs
D/A Converter
24-bit, Delta Sigma, 128x Oversampling
Gain
+10db To +60db
MIDI In/Out
5-pin Din Female
Word Length
24 bit
Dynamic range
108db Typ
Word Clock I/O
Bnc Female
Sample Rate Conversion
3:1 Ratio
Format
Aes/ebu
VGA Port
Db-15 Mini-female (1024 X 768 Resolution, Mirrored Display Mode)
Dithering
None
DVI Port
Dvi Female (1024 X 768 Resolution, Mirrored Display Mode)
Channel Status Info
Pro, Audio 48k, No Emphasis
Dimensions
Width
18.5 "
Depth
19.01 "
Height
7.68 "
Weight
21.6 Lbs. 125 Lbs. (56.7 Kg)
Maximum Depth
28.15 Inches (715 Mm)
Maximum Height (front)
3.9 Inches (100 Mm)
Maximum Height (rear)
7.3 Inches (186 Mm)
Maximum Width
38.95 Inches (989 Mm) With Endcaps

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