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Compare	Sony SRP-X700P	VS	Avid VENUE SC48 (Dual Power Supply)

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Overview:

There are 76 differences and 1 similarities between Sony SRP-X700P, Avid VENUE SC48 (Dual Power Supply)

General
Brand		Sony	vs	Avid Venue
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Manufacturer Part Number		Srpx700p	vs	9900-58341-01
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Mixers Type		Digital Mixers	vs	Digital Mixers
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Specifications
Effects		No	vs
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Rackmountable		Yes	vs
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Faders		8 X 60mm	vs
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Channels		10 (6 Mono, 2 Stereo)	vs
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Computer Connectivity		1 X Usb	vs
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EQ Bands		No Eq	vs
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Aux Sends		No Aux Sends	vs
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Busses/Groups		No Bus Or Groups	vs
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Phantom Power		6 channels	vs	+48v (individually Switchable Per Channel Via Software), 10ma Max, +15v @ 6ma (switchable)
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Inputs - Mic Preamps		2 X Xlr (ch 1-2, Wireless/wire), 2 X Xlr (ch 3-4), 2 X Xlr (ch 5-6 Mic/line)	vs
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Inputs - Line		2 X Xlr (line 1-2 Mic/line), 2 X Rca (line 3 Stereo), 20 X Rca (line 4 Stereo/av Equipment)	vs
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Channel Inserts		No Channel Inserts	vs
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Outputs - Main		4 X Binding Posts	vs
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Inputs - Other		No Other Inputs	vs
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Outputs - Direct		No Direct Outputs	vs
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Outputs - Other		2 X Xlr (line 1-2), 6 X Rca (line 3-8), 2 X Rca (rec)	vs
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Send/Return I/O		No Send/return I/o	vs
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Headphones		1 X 1/4"	vs
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Talkback		No Talkback	vs
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Outputs - Digital		No Digital Outpus	vs
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Data I/O		4 X 1/4" (control Outputs), 1 X Rs232	vs
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Transport Controls		No Transport Controls	vs
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DAW Control		No Daw Control	vs
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Inputs - Digital		No Digital Inputs	vs
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I/O Expansion Slots		No I/o Expansion Slots	vs
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Notes		Video Out: S Video, Video, R/r-y, G/y, B/b-y, Synch/hd, Vd; Video In: S Video, Video, Compnent/rgm	vs
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Input impedance			vs	Pad Off: 5.5k Ohm, Leg To Ground, Pad On: 3.8k Ohm, Leg To Ground, 4k Ohms, 10k Ohms
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Power Requirements			vs	100-240 V, 50-60hz, 200 W
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Frequency Response			vs	+/-0.2db (22hz - 20khz Bw, Relative To 1khz)
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Output Impedance			vs	50 Ohm, Leg To Ground, 50 Ohms
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ECx Ethernet Control			vs	Rj-45 (for Ecx Remote Control)
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Connector (1)			vs	1/4-inch Trs, Unbalanced
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Console Light Connectors (2)			vs	Xlr3-f
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Maximum RMS Power Output (at +21 dBu)			vs	106mw (with 32-ohm Headphones) 130mw (with 600-ohm Headphones)
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Internal Sample Frequency			vs	48 kHz
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External Sample Frequency			vs	48khz +/-10 Ppm (word Clock Input)
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26 touch-sensitive, motorized faders			vs	16 Input, 8 Output Master, 1 Flex Channel, And 1 Mains
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Processing Delay			vs	Less Than 2.3 Ms (48 Channels, Stage Input Through L-r Bus To Stage Output)
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Internal Processing			vs	Up To 48-bit, Fixed Point (288db Internal Dynamic Range)
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Sensitivity			vs	-2dbu To -32dbu (variable In 6 Gain Steps)
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Crosstalk			vs	-100db Typ (adjacent Stage Inputs To L-r Bus, @ 1khz)
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Pad			vs	20 dB
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Residual Output Noise			vs	-90dbu Typ (20hz - 20khz Bw)
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Connector			vs	Xlr3-f, 1/4-inch Trs, Xlr3-m
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USB Ports (5)			vs	Usb 2.0
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Connector (x16)			vs	Xlr3-f, Balanced, Xlr3-m, Balanced
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EIN			vs	-126dbu Typ (maximum Gain, 150 Ohm Source, 20hz - 20khz Bw, Unweighted)
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IEEE-1394 Port			vs	Firewire (for Pro Tools Le Only)
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Maximum input level			vs	+32dbu With Pad, +24 Dbu
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A/D Converter			vs	24-bit, Delta Sigma
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GPI Port			vs	Db9 Female
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Maximum Output Level			vs	+24dbu, +24 Dbu
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Sample Rate			vs	48 kHz
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Footswitch Connectors (2)			vs	1/4-inch Trs
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D/A Converter			vs	24-bit, Delta Sigma, 128x Oversampling
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Gain			vs	+10db To +60db
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MIDI In/Out			vs	5-pin Din Female
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Word Length			vs	24 bit
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Dynamic range			vs	108db Typ
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Word Clock I/O			vs	Bnc Female
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Sample Rate Conversion			vs	3:1 Ratio
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Format			vs	Aes/ebu
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VGA Port			vs	Db-15 Mini-female (1024 X 768 Resolution, Mirrored Display Mode)
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Dithering			vs	None
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DVI Port			vs	Dvi Female (1024 X 768 Resolution, Mirrored Display Mode)
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Channel Status Info			vs	Pro, Audio 48k, No Emphasis
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Dimensions
Width		19 "	vs
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Depth		13.88 "	vs
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Height		5.25 "	vs
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Weight		28.69 Lbs.	vs	125 Lbs. (56.7 Kg)
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Maximum Depth			vs	28.15 Inches (715 Mm)
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Maximum Height (front)			vs	3.9 Inches (100 Mm)
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Maximum Height (rear)			vs	7.3 Inches (186 Mm)
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Maximum Width			vs	38.95 Inches (989 Mm) With Endcaps
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